LSA is delighted to mark the tremendous success of the very first Leamington Mini Print Competition—a national, open exhibition that has drawn entries from across the UK.
This exciting new initiative has not only showcased exceptional talent but has also highlighted Leamington’s growing reputation as a centre for contemporary printmaking.
At the Abstract JGG Open competition, where Joost Lohman won 3rd prize with his ‘Organic bond’; John Hunt won 2nd prize with his ‘Graffiti’; and Kate Larkin won 1st prize with her ‘I am series’. The 3 judges were Faith Matthews, who is chair of the Arts Friends Warwickshire; a not-for-profit organisation which organises art-related events for both members and non-members. This enables them to raise funds for arts organisations and individual emerging artists. Then we had Johnathan Branson and Paul Roberts, who are part of the Arts section at Warwick District Council. Please find below the quotes from the 3 judges to be included in the forthcoming newsletter:
Kate Larkin’s I am series was selected as the winning work for the clear and confident way it brings together idea, material and making. Using a simple embroidered line, Larkin builds a busy surface of overlapping figures that feel connected rather than separate. The figures invite you to look closely, but they also work strongly as a whole. The limited colour and confident stitching allow the drawing to emerge quietly through the fabric, with each figure part of a shared presence. The result is a thoughtful and engaging work that feels both personal and collective.
John Hunt’s Graffiti stood out for its bold use of layering and mark-making. Combining graphite, ink and collage, the work brings together shapes, patterns and textures in a way that feels lively and well balanced. The composition moves the eye across areas of detail and calmer space, echoing the energy of urban surfaces without directly copying them. The mix of controlled structure and freer marks gives the piece a strong sense of rhythm and movement, resulting in a confident and visually engaging abstract work.
Joost Lohman’s Organic Bond was selected for the striking way it blends digital techniques with natural, flowing forms. The swirling shapes appear to grow and fold into one another, creating a strong sense of movement and connection. Subtle changes in colour and line draw the viewer across the surface, while the dark background adds depth and intensity. Printed on aluminium, the work has a sharp, luminous finish that enhances its impact. The result is an immersive and carefully crafted abstract piece that feels both precise and organic.
